27 Friday Apr 2012
Posted in Lovecraftian arts
≈ Comments Off on Marc Simonetti
Super work visualising At the Mountains of Madness, by Marc Simonetti…
This cover for a (new?) French graphic novel takes the same approach of placing small figures to convey the scale, but Simonetti conveys a sense of “precarious” and “unbalanced” far better…
27 Friday Apr 2012
Posted in Historical context, Lovecraftian arts
≈ Comments Off on William F. Heitman
Teller of Weird Tales has scanned and cleaned illustrations of Lovecraft stories, “by William F. Heitman or attributable to William F. Heitman”, which appeared in Weird Tales magazine. This one is for “Hypnos”…
26 Thursday Apr 2012
Posted in Podcasts etc.
≈ Comments Off on BBC podcasts
Those interested in vampires might like the new BBC Radio 3 series-ette on Bram Stoker, author of Dracula. Available to those in the UK via Listen Again, and to the rest of the world via bittorrent.
25 Wednesday Apr 2012
Posted in New books
Interesting new book on Lovecraft’s treatment of the feminine, in Italian by Renzo Giorgetti, Lovecraftian Archetypes: the eternal feminine. The English summary…
“In the study of the work of H.P. Lovecraft one theme seems always to be neglected: that of women. In Lovecraft’s intellectual odyssey and his dreaming, always lost in seas of fantastic creation, this theme seems almost deliberately forgotten or relegated to a corner of his conceptions. But on closer examination the female appears numerous times: transformed, concealed, disguised, but ever-present and ready to play a key role. Whether it be ordinary women, or goddesses, monsters and entire civilisations, the female has her place in the Lovecraftian universe, exercising with a magical influence a magnetism towards the unknown and the unfathomable, and always ready to unleash surprising and unexpected potentialities.”
24 Tuesday Apr 2012
Posted in Lovecraftian arts
≈ Comments Off on Why AR horror rarely works
As Google gears up for the augmented-reality gaming home, delivered to wireless AR glasses straight from the Web browser (no DVDs involved), Philip Reed muses on why augmented reality horror doesn’t work…
“its scares, for technological reasons, need to be telegraphed. If a scary face is going to come out of a book, that can be scary. But when the game requires you to meticulously create a scenario in which that is possible, it’s easy to guess what’s coming, and the simple surprise — and subsequent scare — is lost before it ever comes.”
21 Saturday Apr 2012
Posted in Lovecraftian arts
≈ Comments Off on Paper Lovecraft mask
20 Friday Apr 2012
Posted in Lovecraftian arts
≈ Comments Off on Lovecraft’s Secret Archives
A series of fun faux-vintage photomontages, at Lovecraft’s Secret Archives…
20 Friday Apr 2012
Posted in Odd scratchings
≈ Comments Off on Pelgrane Press Lovecraft survey
I missed this one, posted by Pelgrane Press for last month’s birthday celebrations…
“In celebration of the life of H.P. Lovecraft and on the anniversary of his death, we asked our Trail of Cthulhu writers and a few others if they would write us a few hundred words on how Lovecraft has influenced them.”
19 Thursday Apr 2012
Posted in Lovecraftian arts
≈ Comments Off on Tower of Shadows
A blast from the past. Online versions of late-1960s Marvel Comics adaptations of “The Terrible Old Man” and “Pickman’s Model”, in their Tower of Shadows title…
19 Thursday Apr 2012
Posted in Lovecraftian arts, New books
Broken Frontier reports on a new book of Lovecraft adaptations by Dutch comics celebrity Erik Kriek….
“It would be tempting to illustrate Lovecraft’s highly descriptive style with as few words as possible but Kriek - perhaps aided by producing his wordless Gutsman comics for so many years - recognizes the importance of Lovecraft’s particular wording and rhythmic stance. He opts to use captions in combination with their visual representations but adds enough visual stimulus so that words and pictures form an interdependent relationship. It is a decision prone to many traps (as many a literary graphic adaptation can attest to) but Kriek succeeds fairly well. He knows when to step back, let the dialogue take over and when to cut back on the caption level.”
Update, 2021: A decade later, and still no translation into English. In fact, almost nothing of his is in English. Does he just ask too high a price for the translation rights?
